Tilly Norwood, A.I. Actress, Wants to Know Why Everyone’s Mad at Her

The post ‘Backrooms’ Draws A24 Record $81 Million Opening appeared on BitcoinEthereumNews.com. Topline The psychological thriller “Backrooms” grossed $81 million to top the domestic box office during its opening weekend, according to multiple reports, a record for the A24 studio, which claimed the flick made its 20-year-old director the youngest to have a top-selling film. A24 said its 20-year-old director is the youngest ever to top the box office. A24 Key Facts “Backrooms,” a film based on a popular YouTube series, collected $81 million from North American theaters and $36 million elsewhere as of Sunday, the highest-grossing opening weekend for an A24-distributed film, Deadline reported (the studio’s “Civil War” grossed $25.5 million in 2024). A24 claimed the opening weekend made director Kane Parsons the youngest to top the box office charts, far surpassing the then-27-year-old Josh Trank for “Chronicle” in 2011 ($27 million), according to Deadline. “Obsession” grossed $26.4 million

What happens when a reporter who has interviewed some of the biggest names in Hollywood sits down with the first A.I. actress?

Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder Coming just after his superb feature The Christophers, Steven Soderbergh has now made a surprisingly moderate documentary, dominated and frankly marred by uninteresting and pointless AI. It is about the inadvertently poignant final interview given by John Lennon and Yoko Ono on 8 December 1980 in New York’s Dakota apartment building, hours before his death. The interviewers were Dave Sholin, Laurie Kaye and Ron Hummel from San Francisco’s KFRC radio station. On their way out of the building with the conversation on tape, they were accosted by a creepy stalker-fan; in attempt to calm the man down, Laurie Kaye gave him a brand new copy of John and Yoko’s new album Double Fantasy. This sinister man was Lennon’s future murderer who got him to sign an album – perhaps this very album – and later shot him dead. It is a chilling, stomach-turning twis

The University of Southern California will put one of the largest donations in its history toward applying AI in fields where the university already has strengths, including film and the arts.

Bad news for Tilly Norwood.

The networking platform – social media’s answer to boomer grandparents – is rapidly becoming an AI slop dystopia. Which made it the perfect place for my Nvidia-inspired fairytale When electronic musician Grimes – AKA Claire Boucher – took to X last year to claim she was “only gonna be releasing music on LinkedIn from now on”, it seemed like yet another provocation from an often eccentric artist. But the ex-partner of Elon Musk may have followed through on her promise. Last month, a profile purporting to be the 38-year-old appeared on the world’s least gratifying social networking platform. Its only post so far promotes an appearance at Nvidia’s GPU Technology Conference – Nvidia being the most valuable company in the world and the engine behind just about all AI applications. Pivoting to LinkedIn might seem a depressing thing for an artist to resort to: a bit like moving in with your boomer grandparents. And it is. I should know because, in one of the more counterintuitive brags I’ve m